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RUTH DRAPER’S MONOLOGUES (GEFFEN PLAYHOUSE): 92% – SWEET

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BITTERSWEET Perhaps the problem, aside from the material, is in Bening’s decision to direct herself. Aside from a vocal quality onstage that always seems a bit flat and somehow forced, Bening might have needed a second critical eye to help her better differentiate each of these four annoying women from one another. Directing oneself robs […]

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